Clarifying the Mission and Vision of the Museum of West African Art
The Museum of West African Art (MOWAA) has recently addressed various reports that suggested it was being officially commissioned this month. In response, the museum’s management clarified that the formal opening is planned for next year. This decision is based on the need to complete ongoing construction work and ensure broader stakeholder engagement before the official launch.
As part of its preparations, MOWAA has scheduled a series of activities for November, including preview events and the launch of an exhibition titledNigeria Imaginary: Homecoming. This exhibition is an expanded version of a previous show that was presented at the 2024 Venice Biennale. It features works by 11 prominent Nigerian artists, highlighting the rich cultural and artistic heritage of the region.
Commitment to Cultural Integrity and Collaboration
MOWAA has also emphasized that it does not claim ownership of any Benin Bronzes or other historical artefacts. The museum stated that all items in its collection are held with the consent of their rightful owners or relevant authorities. This approach underscores the institution’s commitment to ethical practices and respect for cultural heritage.
The museum’s primary focus is on modern and contemporary West African art. Its mission includes complementing existing cultural institutions such as the Benin Royal Museum and the National Commission for Museums and Monuments (NCMM) Benin Museum. Through research, heritage preservation, and educational programs, MOWAA aims to contribute to the broader cultural landscape of the region.
Respect for Local Traditions and Leadership
In addition to its cultural initiatives, MOWAA reiterated its deep respect for the people of Benin and His Royal Majesty, Omo N’Oba N’Edo, Uku Akpolokpolo, Ewuare II (CFR), The Oba of Benin. The museum affirmed its dedication to maintaining cultural integrity and fostering collaboration with local communities and leaders.
The institution also shared details about its first completed facility, the MOWAA Institute. This space will serve as a hub for training, research, and cultural exchange. It will provide opportunities for artisans and creative professionals in Edo State, helping to nurture local talent and promote cultural development.
Operational Structure and Financial Independence
MOWAA operates as an independent charitable trust, ensuring that it remains free from shareholder interests or profit-driven motives. All funds generated by the museum are reinvested into cultural and educational initiatives, supporting long-term growth and sustainability.
The management also clarified that former Edo State Governor, Mr. Godwin Obaseki, has no financial or other interest in the institution. This statement reinforces the museum’s commitment to transparency and independence.
Economic Impact and Global Recognition
MOWAA expressed optimism about the potential economic benefits of its activities. By attracting tourism and generating employment, the museum aims to contribute to the growth of Edo State’s economy. Recent recognition byThe New York Times, which listed Benin City among its top global destinations to visit, further highlights the region’s growing appeal.
Conclusion
With its focus on cultural preservation, education, and community engagement, MOWAA is positioning itself as a vital institution in the West African art scene. As it prepares for its formal opening next year, the museum continues to emphasize collaboration, integrity, and a deep respect for the cultural heritage of the region.